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By Greg Katz
Fortunately or
unfortunately there are no designations,
certifications or licenses when someone decides to
become an “artrepreneur”. Anyone can begin creating
art and yet without having some sense of the
business world many artists will become one more
mark on the tally sheet of failed businesses keeping
the statistics for entrepreneurship in the hole.
When entrepreneurs
are creating their businesses they often find that
their customers rely on them for their expertise.
How many artists do you know who are experts about
art? I find it amazing that when I present lectures
to artists on building their businesses how few can
name a prominent artist in their medium. It’s
discouraging to believe that each artist believes
everything they create is being done for the first
time…that’s just narcissistic.
What does it take to
be an expert? It takes a desire to be fully engaged
in the business you’ve chosen. It requires that you
take an interest in the art world outside of your
studio. It mandates that minimally you learn about
those who have been successful in the art form you
have chosen. It’s frightening to think that artists
believe they are the first in their artistic
lineage…that’s delusional.
The artists that I
know who are successful have a good foundation in
their technical skills or “hard” skills as well as a
great foundation in their knowledge base or “soft”
skills. It’s important to create a balance between
the two because the knowledge base about the art
world is what empowers you to sell your work. It’s
what provides you with the information and the power
of engagement to keep your potential collector in an
active dialogue with you and increases the
likelihood that they will make a purchase. If you
can’t elaborate on your art and your personal
evolution, and the person doesn’t buy the piece on
the spot you’ll lose them because you can’t keep
their interest. How will you keep your buyer
engaged more than three seconds?
When we are able to
align our artistic vision with those who have gained
national or international success the buyer is able
to see a greater vision of the work. They are able
to put you, the artist, in a context that allows
them to elevate the meaning of the work. It gives
the buyer the ability to take your story and make it
a part of the art they are buying. I can tell you
from both personal and professional experience, if
you have a story about your work and its evolution,
the buyer will tell that story to everyone who sees
the art. This is how your buyers/collectors become
outside sales agents for you without having to pay
them a salary.
I’m not suggesting that you go back to school and
take the next three years studying art history. I
am encouraging you, even begging you if I thought it
would work to become the professional you believe is
in your future. It’s your career, but not to give
yourself every advantage in the marketplace means
that you are leaving money on the table and
narrowing your market, limiting any possibility for
a sustainable business. |